仕事以外の制作は趣味や息抜きの範疇としていたが、2020年フランスのGALLERY JO YANA主催、Japanese Artists group-showよりアーティストとしての活動にも力を入れる。
1976 Born in Kanagawa
1996-1998 Enrolled in Nippon Design College
1999-2002 Worked at a design studio in Tokyo
He has been working as a freelance graphic designer and illustrator since 2002 and creating art as a hobby in his spare time. In 2020, he participated in a Japanese Artists group show organized by GALLERY JO YANA in France.
His works are characterised by the style that combines miscellaneous images of back alleys in the city centre and figures.
2022 三人展「203040」YOD Gallery、大阪
ART FAIR TOKYO、東京
2021 Gallery Jo Yana online drop、フランス
個展 「FRUSTRATION GIRL」、東京
博多阪急「ART FAIR ASIA FUKUOKA」、福岡
大丸福岡天神店「ART @ FUKUOKA」、福岡
GALLERIA AVENUE 合同展 “LIVE”
2020 Gallery Jo Yana group show、フランス
Gallery Jo Yana group show、フランス
2022 ART FAIR TOKYO (Tokyo)
2021 Gallery Jo Yana online drop (February, France)
Solo exhibition “FRUSTRATION GIRL”
ART FAIR ASIA FUKUOKA at Hakata Hankyu
ART @ FUKUOKA” at Daimaru Fukuoka Tenjin Store
GALLERIA AVENUE Joint Exhibition “LIVE”
Daimaru Kyoto Next Generation Art Kyoto
ART 021, Shanghai Exhibition Center
2020 Gallery Jo Yana group show (July, France)
Solo exhibition “Social Bug” (October, Fukuoka)
2019 Solo exhibition in Fukuoka, Japan
Solo Exhibition (Tokyo)
Gallery Jo Yana group show (France)
Influenced by anime and manga culture during boyhood.
In 2017, he started working as an illustrator based in Fukuoka. He creates and presents his works in digital and analog formats. The women with characteristic ennui expressions are a projection of the artist’s own inner self..
2009 Graduated from CFA Olivier de Serres (Dijon, France)
He was nourished by these two cultures, which have shaped his aesthetics and his personality. His works are influenced by pop-art, cubism and Italian futurism. The artist has recently explored more personal and intimate subjects depicting portraits, still lifes, landscapes and interiors. To express it visually, Bouillot has developed his own style, using black and white as the only colors in his palette. Light, balance and strong contrasts are his research themes.
The role of the artist is to capture the present, sometimes harmless, to sublimate it and draw from it its deep value, its spirit. should not hinder or slow down creativity, at the risk of confining the creative process in a single and narrow framework: I like a lot of things, and I want to convey this variety through my own vision and creative approach. This is my signature. I am not part of any specific movement, but mine.
1988 Born in Kyoto 2011 Graduated from Kyoto Seika University, Faculty of Design, Department of Visual Design, Illustration Course Lives in Osaka
While being influenced by old Japanese paintings such as ukiyo-e, Makita creates works that give a sense of modernity and the flow of time from old times to today.
Solo Exhibition 2021 “Ribbon swaying in the wind – Taiwan -” at 綠光 +marüte (Taichung, Taiwan) “Ribbon swaying in the wind – Kagawa -” at MARÜTE GALLERY (Kagawa, Japan) “Ribbon swaying in the wind – Tokyo -” scheduled for December 17-27 at ondo STAY&EXHIBITION (Tokyo, Japan)
2020 “Collect the breath of the changing seasons 2020” at ondo STAY&EXHIBITION (Tokyo, Japan)
2019 “My Heisei” at kara-S (Kyoto, Japan) “Collect the breath of the changing seasons – Summer -” at 綠光 +marüte (Taichung, Taiwan) “Collect the breath of the changing seasons – Autumn -” at MARÜTE GALLERY (Kagawa, Japan) “Collect the breath of the changing seasons – Winter -” at ondo (Osaka, Japan)
Group Exhibition, Art Fair 2021 “Ashimoto ni Yuragu vol.2” at Kyoto Botanical Gardens (Kyoto, Japan) “Lichun – Signal the coming of Spring -” at ondo STAY&EXHIBITION (Tokyo, Japan) “It’ s gonna be AWESOME!” at Artglorieux (Tokyo, Japan)
2019 ILLUSTRATION Exhibition SESSION Vol.00 “Japonisme – The Flower of Silence, the Feast of Profundity -” at DNP Plaza (Tokyo)
2013 Graduated from Department of sculpture, College of Art and Design, Musashino Art University (Bachelor)
2015 Graduated from Department of sculpture, College of Art and Design, Musashino Art University (Master)
Narita’s works feature mass-production toys that are tossed by people and become trash. By illustrating those wasted toy figures as well as parts of the toy that are scaled up, Narita’s sculpture brings out not only a sense of nostalgia but also an odd feeling for viewers who live in the consumer society.
2004-07 Kyoto Seika University, Faculty of Manga, Story Manga course
2008 started working as a fashion photography for brands, Live events.
2013 spent some time in the United States
2014 Moved to Tokyo to work as a fashion photographer
2019 Started working as a freelance illustrator, mainly creating 1980’s inspired images of female figures
Hime started his career as a photographer in 2008 while working in the fashion industry. While he mainly focused on shooting club and DJ events, he also took pictures for fashion brands such as chari&co, override, PARADOX, REBERTAS, etc. After spending one year in the U.S., he moved to Tokyo in 2014 to work as a fashion photographer. In 2019, he started his career as a freelance illustrator. He has gained wide public recognition as an artist with his illustration works that feature women in the 80’s style.
1987 Born in Osaka, Japan 2011 Graduated from Tama Art University (Tokyo) Bachelor of Fine Art, section of oil painting 2017 MA, Ecole nationale supérieure des Beaux-Arts de Paris 2018 Post-diploma, Ecole nationale supérieure des Beaux-Arts de Paris
Kanaria uses a technique of thickly applying milky white oil paint on the canvas as a base, and scratching it with a colored pencil before it dries. Her works span a range of stories and myths, flowers and plants, animals and humans, which create a connected world that transcends time and space. She intends to spread out the sensuality of living with satire and humor.
2019 Bachelor of Design (Visual Communication) Deakin Melbourne
Kenz draws his inspiration from the human state of mind, memories and the tension between consciousness and unconsciousness. He is interested in exploring the concept of nostalgia and innocent childhood memories through the depiction of his own personal objects from early life such as rubber bath ducks and walking push toys. His work focuses on the relationship between humans and objects that have the ability to bring back strong visual memories. This is executed through his signature style of vibrant tones and artificial like color palette coupled with kinetic layering lines that provide dynamism.
マレフは独学の芸術家であり、常に新しい技術と新しい表現を探しています。彼は、ウガンダとモンゴルの困難な地域に文化センターとスケートパークを建設することを目的として、Learn And Skateが管理するプロジェクトである、非営利の「Learn and skate」展の支援に参加し、2015年から現在まで資金を調達しました。 彼はまた、ロンドンのCity Of TalentsとTheWaluso GalleryのVRショーにも参加しました。 彼の芸術は今や世界中に広がっています。
It’s been a decade now that the artist, Malef, spreads his graffitis in his home town of France. packmans , clouds, hearts, and his tag name are common on the different mediums that the artist uses : walls, skate parks, skate boards, bus shelters, extinguishers, canvas, Malef stops at nothing to spread his message of love and peace. His recurring motif of clouds became his signature. They symbolized his lost loved ones and it is in a very poetic manner that he spreads them out in a 1000 ways. For him, clouds express an universal langage, they have different aspects that change with time and each of us can see ourselves reflected in them, no matter who we are and where we are from. His art combines serious subjects with a candid touch thanks to simple and colorful elements. He finds his creativity in what he sees of the real world and transcribes it in an ingenious way in order for us to search that part of childhood that rest deep inside of us. Utopian and art lover, Malef wants to spread a clear and thoughtful message through his painting where always reigns a perfume of innocence.
Malef is an autodidact artist, always looking for new technics and new medium. He participated in help with the non profit “Learn and skate” exhibition and raise fund from 2015 to now, projects managed by Learn And Skate with the purpose of building a cultural center and a skate park in difficult zones in Uganda and Mongolia. He Also participated to the VR show with City Of Talents and The Waluso Gallery in London. His art is now distributed all over the world.
1999 Graduated from Osaka University of Arts,Fine Art Department
I have a vague scene of memory. A scene that I would be seeing from a car my mother or father was driving in my childhood. Though I had no idea where we were driving, I still remember I was simply watching scenery of odd buildings and houses in line.
Today, we have access to tremendous amount of information in the Internet. Among them, pictures and movies of landscape to which I have never been remind me of the buildings and houses in my memory. I then get to realize that something in the context of memory and experience is vague and weak.
My works brings unnatural outlines and inaccurate depth to the equivalence, which makes a distance from the equivalence and creates personal scenery. I believe that this new scenery experience is to advance my life.
2017「The Whisper of Nautre」Long Dicision Gallery(オーストラリア)
グループ展 / アートフェア
「42 IS」42 art space(中国)
「Art Fair Tokyo 2021」東京国際フォーラム(東京)
2021 年の雛祭り/ shuuue(東京)
electronic rock music fair CEA(中国)
「ひなまつり*展 2020」ondo STAY&EXHIBITION(東京)
「ひなまつり*展 2020」ondo tosabori(大阪)
1991 Born in Ibaraki, Japan
2014 Graduated from Yokohama College of Art and Design
Ryoko Kaneta uses the female figure to personify elements of nature. These include the phenomenon of weather and dramatic seasonal transformation. She paints according to ancient Japanese philosophies, including the thought that God dwells in all beings. Her descriptive paintings are embedded in historic cultures yet exist as fleeting spectacles of nature. Kaneta has organized multiple group exhibitions under the title ‘199X’ from 2012. These shows feature the work of artists, including Kaneta, who were born in the 90’ s and grew up surrounded by Japanese manga.
2021 “金烏玉兎” 42 art space (Bejing, China)
2020 “Through The Seasons” Four You Gallery (Online)
2020 “AMETSUCHI” GalleryYukihira (Tokyo, Japan)
2018 “Together with the Rain” moon of silence (Hong Kong)
2017 “The Whisper of Nature” Long Division Gallery (Melbourne, Australia)
Group Exhibition, Art Fair 2021
“42 IS” 42 art space (Bejing, China)
“Art Fair Tokyo 2021” TOKYO INTERNATIONAL FORUM (Tokyo, Japan)
“Hinamasturi in 2021” shuuue (Tokyo, Japan)
“199X9” shuuue (Tokyo, Japan) electronic rock music fair CEA (Chengdu, China)
“hommage” Sansiao Gallery (Tokyo, Japan)
“Hinamasturi*ten2019” ondo STAY&EXHIBITION (Tokyo, Japan)
“Hinamasturi*ten2019” ondo tosabori (Osaka, Japan)
Mille Miglia, Italy, is where classic car racing developed to its peak. To the city museum of the town, vehicle painter Tomohiro Todoroki was the first Asian artist who held his solo exhibition there.
Todoroki’s work is also in the collection of the National Automobile Museum in Italy. He lovingly depicts local toys that reflect local legends and beliefs and have been loved for years, with wishes for protecting people from bad luck and prosperity of offspring.
2021 Chiba Sogo May campaign
2021 Solo exhibition at Ginza Six
2021 Solo exhibition at MUJI (Portland, USA)
2020,2021 Seven Gods of Good Fortune is offered for the Seibu Shibuya New Year’s Eve and New Year’s campaign -which marks the first unveiling of the Fortune series
2019 Solo exhibition at Museo Mille Miglia, Italy
2018 First Japanese artist whose work to be acquired by the National Automobile Museum (Turin, Italy)
2017 Created a limited edition package for MAJANI, Italy’s oldest chocolate maker
2014 Exhibition of works at Toyota Museum
2013 Solo exhibition at Museo Mille Miglia, Italy
2012 Solo exhibition in Paris (ARTY DANDY)
2011,2012 Exhibited at Retro Mobile (Paris), the world’s largest classic car festival
2002,2003 Exhibited at NY ART EXPO
2003 Special Jury Prize (Okamoto Toshiko Prize) at Geisai museum organized by Takashi Murakami
2009 Winner, Educational/Instructional TV, NewYork festivals, U.S.A.
University of Taipei Department of Visual Arts 修士卒業
Fu Jen University of Chinese literature 大学卒業
ウェイティン・チェンは台湾の台南で生まれ、漫画のキャラクターを描くのが大好きな子供時代を過ごしました。大学では、中国文学の専攻にて詩を学び、Roland L. Bachmannのフラグメントの概念に影響を受けました。チェンにとって、詩を書くことは「人生の一部」であると考えています。彼の主な作品は、アクリルで描かれた題材ですが、それはどこか詩的なストーリーを思い起こさせます。また、ビデオアートやアクションアート、彫刻など様々なメディアでの表現を通して自分の表現を深め、そこに子供と大人の違いを描き出そうとしています。いくつかの作品はリーパオ文化芸術財団のコレクションとして選ばれました。またグローバルな文脈で更なる表現追求のため、現在、東京藝術大学のグローバルアートプラクティスプログラムにて学んでいます。
Wei Ting Chen was born in Tainan, Taiwan in 1991. His childhood was full of cartoon, and he liked to draw the characters. In Fu Jen University, he majored in Chinese Literature and started to write poems. He read Roland L. Bachmann’s concept of fragment. Roland wrote his books as fragments. viewers can read his works like puzzle. For Chen, he thinks the writing is a slice of life. Writing poems became another way of making a drawing.
His work is mostly graphics with acrylic paints, often accompanied by poems that correspond to the visual parts and provide a complete sense of a story.
He also works with different media, such as video art, action art, and sculpture. He took part in Nuit Blanche Taipei in 2017, an art event with lots of performance. He still thinks about the expression of his work and show the differences between child and adult. Besides, some works he created is now in the collection of Lih-pao Cultural Arts Foundation.
In a search for more opportunities for exchange with different artists and starting new projects, he currently studies in the Global Art Practice program at Tokyo University of the Arts. He lives and works in Tokyo.
2011 Graduated from Department of Architecture, St. Thomas University of Osaka
Yok’s works use simple lines and shapes to portray the beauty of ordinary, everyday things. He argues that life does not necessarily have to be luxurious and extravagant; instead, beauty exists in simplicity. Yok’s unique, non-traditional paintings allow viewers to step away from the complexities of art criticism and face the work itself. He works to connect his aesthetic to a variety of mediums, including architecture and fashion.
Graduated from Saga Art College and Osaka Sogo College of Design
When humans first appeared on earth, I think we were just another life form, no different from all other animals and plants. With the birth of communities, languages and cultures, we eventually created a society of distinction, discrimination, and hostility.
We now live in a society with overflowing information, which pertains not only to our own community, language, or culture, and I feel that the profusion of textual and visual images is greatly affecting the way we distinguish and discriminate others from ourselves.
If the information we receive from our surroundings approached zero, what kind of emotions would arise? In such a moment of null, I contend that the distinction between ‘self’ and ‘other’ would disappear, and you would return to a primitive state of existence.
My artistic work is research to substantiate this hypothesis of utilizing the spatial device of ‘NULL’ to approach zero bias.